The Children’s Touring Partnership is a producing partnership led by independent producer Fiery Angel and Chichester Festival Theatre and a consortium of major regional theatres. The Partnership seeks to tour imaginative and bold theatre of the highest quality, with a particular emphasis on producing work nationwide for children aged eight years and above. The Partnership links theatre to education through a variety of events, workshops and talks.
In 2011, the Partnership was awarded a grant from Arts Council England to tour a new stage adaptation of Michelle Magorian’s classic novel, Goodnight Mister Tom. The production toured for 14 weeks and was a success with both critics and audiences. Later in 2011, the Children’s Touring Partnership teamed up with the National Theatre to present Bristol Old Vic’s musical adaptation of Swallows and Amazons by Helen Edmundson and Neil Hannon. Swallows and Amazons opened at the Vaudeville Theatre in London and played a limited Christmas season prior to a 17-week UK-wide tour.
Most recently the Partnership has toured the premiere of The Boy in the Striped Pyjamas by John Boyne in 2015.
In 2017 CTP will tour Running Wild by Michael Morpurgo in an adaptation by Samuel Adamson, beginning at Chichester Festival Theatre on 10 February 2017.
Stay up to date with Children’s Touring Partnership tours, events and news.
We value your opinions on what shows you'd like to see. Take part to our 5 minute survey.
Reviews for Goodnight Mister Tom
“This adaptation of Michelle Magorian’s most successful book for children works like a charm”
“Enchanting. At the end, there isn’t a dry eye in the house. This show is going to be a big success – and I wouldn’t mind the Kleenex franchise.”
“It ends as children’s theatre should: adults audibly sniveling and children breathlessly attentive”
“A great evening… Angus Jackson’s wonderfully well staged, powerfully performed, atmospheric production… I’m still sniffling”
“The ever-excellent Oliver Ford Davies turns in a beautifully honed performance… an often moving production and I for one admit to shedding the odd tear”